Partly riffing off Dziga Vertov’s Kino-eye from Man with a Movie Camera (1929) and Stanley Kubrick’s Clockwork Orange (1971) and the iconic Ludovico technique (aversion therapy) scene of that film.
Both films bookend 20th century cinema and the motif of the eye; of viewing, of seeing and looking at screens. My version of the Ludovico technique is about AI and a new kind of viewing of screens. Our vision altered irreversibly between what is real and what is unreal in the world of AI generated content.
