Ian Haig works across media, from video, sculpture, drawing, technology based media and installation. Haig’s practice refuses to accept that the low and the base level are devoid of value and cultural meaning. His body obsessed themes can be seen throughout a large body of work over the last twenty years. Previous works have looked to the contemporary media sphere and its relationship to the visceral body, the degenerative aspects of pervasive new technologies, to cultural forms of fanaticism and cults, to ideas of attraction and repulsion, body horror and the defamiliarisation of the human body.
Useless Eaters, 2022
Mutated hackable bodies, bodies that didn’t quite work out and bodies that can no longer be classified as bodies. Hybridised flesh and code using AI. Drawing on the transhumanist musings of Yuval Noah Harari….humans are now hackable animals.